![]() Loopmasters (previously Beatport Sounds) is a popular sample pack store which provides sounds for multiple genres. ![]() Loopcloud by Beatport is a subscription service with sample packs, which provides unique software for sample organization and manipulation. Sounds by Native Instruments is another subscription service that provides members with access to royalty-free audio files. It’s a subscription-based service which allows users to purchase sounds individually instead of buying entire packs. Splice is a cloud-based samples and presets distributor. We’ve collaborated with artists like Ben Böhmer, Weska, Tim Engelhardt and more. Some of our best sellers include the Deep Premium Drums series, Serum presets, as well as Melodic Techno and Trap sample packs. ![]() Production Music LiveĪs PML we offer premium samples, MIDI packs and synth presets for various genres. I'd be interested if anyone has a view on this one.Looking for places to sell your samples? In this list you’ll find 10 of the best sample pack companies. They have something resembling creative credibility (you're less likely to be using the same loops as everyone else, and the content is not pre-prepared to drag & drop into a DAW) and they also have a mechanism to keep the licensing of the sample (seemingly) transparent, plus you also agree to share royalties with the original creator.ĭo you have a take on how you manage the legal mindfield of royalty free sounds, and how do you approach the use of royalty free samples, sounds and loops in your work? Have Tracklib got themsleves onto a winner with their model of ensuring clearance for a moderate fee? ![]() Tracklib specifically seems to have put itself in an envious position. It feels to me that the 1st option here is off the table for many musicians, and so the 2nd and 3rd are the way to go. Right to use commercially? Can be bought. Royalty free? No but the rights can be bought. The creator grants you a license to use the sample, but the loop creator could technically claim that sound as their own, or someone else could create a very similar sound. Right to use commercially? Theoretically you have the right to use the samples, but it’s complicated depending on how identifiable the loop/part is. A sample lifted directly from a commercial song.Which leaves us with the likes of Splice, Loopcloud, Kontakt libs, Arcade, Tracklib and other similar services. Actually clearing samples lifted from commercial music would seem to me to be out of the reach of most amateur musicians. To me, it looks like we now have a 2 tier system of sorts for clearing samples. This features loops that can be used "as much as you want" according the the somewhat vague FAQ's on the website. But from what I've been reading by getting into various libraries and whatnot, the answer as to whether or not you can use them is a little sketchy. I would quite like to share some of the music I'm creation at some point. So vocal samples (mainly from online commercial packs/loops) are probably one of the most contentious behind lifting actual pieces of commercially released songs. I’m trying to get a basic theory down in my head and I’d love to hear your take. Forgive me if this one is a bit of a basic question.
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